The trailer begins with a sweeping aerial shot of a snow-covered cityscape at dawn. A haunting yet beautiful orchestral score plays in the background. We see a dimly lit, abandoned theater, its once-grand architecture now decaying. The camera moves inside, revealing a lone ballerina performing an elegant but intense routine on a cracked stage. Her movements are precise, almost lethal. This is Rooney (Ana de Armas), her face a mask of determination.

The screen cuts to black, and then flashes to the familiar Continental Hotel. Winston (Ian McShane) speaks in a hushed tone: “Rooney is back. She’s looking for answers—and for vengeance.” A series of quick cuts show Rooney arming herself with a variety of weapons, her expression cold and focused. “They took everything from her. Now, she’s taking it all back.”

The screen flashes to a flashback: a young Rooney as a child, practicing ballet in the same theater, her parents watching proudly. The serene moment is shattered by masked men storming in. A violent confrontation ensues, and the child’s cries are silenced by gunfire. The screen fades to black, followed by the sound of a gunshot.